I really, really, really don’t know quite what to make of this woman bathing her opossom.
Via Agent Q.
What started as a “ripping good yarn” a few years ago is getting a bit ploddy. It’s hard to say much about this without disclosing spoilers for the first three books, so I’ll be vague, but if you like hard SF and you enjoyed the first couple, this one’s mostly more of the same, though we get WAY less “crazy alien stuff” and way more “pioneer politics.” I’m not sure this is really an improvement.
Anyway, the “good yarn” aspects have been enough to get The Expanse a shot at TV over on SyFy, but I really have no idea how it’ll translate, or how true to books they’ll be. It’s clear now that Corey (a pen name for Daniel Abraham and Ty Franck) is pursuing this as an open-ended series and not a single long story, and that makes me less interested in hanging on forever. Stories need ends.
I guess that, if we’re going to have categories, I have to tag this as SF, but it’s the closest-to-now and absolutely most-plausible SF I think I’ve ever seen, and not in the “20 minutes into the future” sense that you sometimes got with cyberpunk. The Martian is basically set in the present day, with only our space program’s abilities slightly ramped up.
Astronaut Mark Watney is part of a Mars expedition that works more or less like you’d expect: a long trip there followed by a fairly short sojourn on the surface doing experiments and gathering samples. When a sandstorm kicks up and threatens the stability of their lander — i.e., their only way back to orbit and their ride home — they must abort, but poor Mark is injured on the run to the craft. Worse, the flying debris that knocks him out also destroyed his suit’s telemetry equipment, so all his colleagues think he’s dead. Safe on the lander, and thinking him lost, they leave.
And then Mark wakes up, alone and marooned, and with no way to communicate with Earth or his colleagues.
What follows is a terrific yarn equal parts accessible, scientifically valid problem solving and “Robinson Crusoe”, minus the charming natives. Essentially everything Mark does is plausible, which makes the story all the more thrilling and fun. It should therefore come as no surprise that it’s already been optioned; it’ll be adapted by Drew Goddard (who directed The Cabin in the Woods from a Whedon script) and helmed by Ridley Scott, with Matt Damon attached as Watney.
Scott’s output lately has been weak, but the source material here is so strong my hope is he’s able to find his feet again. The emphasis here on real approaches to problem solving prompted me to describe The Martian to a friend as “like Gravity, but good;” on film, that could become literally true.
You probably heard that Saudi Arabia’s monarch, King Abdullah, died yesterday at 90.
What you may not have picked up is how deeply strange the Kingdom’s succession system is, Josh Marshall at TPM breaks it down for you. Abdullah took over from his half brother Fahd, who took over from his half brother Khalid, who took over from his half brother Faisal, who took over from his half brother Saud, who took over when the original King Ibn Saud died in 1953 at the age of 76. Yes, this means the Saudi king’s dad was born a decade after the American Civil War.
“Good god, how many sons did this dude have?” you may ask. I know I did. Turns out? Answer is 45 via 20+ wives, of which 36 lived to adulthood. Interestingly, only one wife (Hassa bint Ahmed Al Sudairi) mothered two kings: Khalid (b. 1913, reigned ’75 to ’82) and the new king Salman (b. 1935). She had five other sons besides, plus four daughters. The Wikipedia article is worth a click.
Salman is no spring chicken at 79. After him comes the last surviving son of Ibn Saud, Muqrin, who’s a decade younger. The apparent plan at that point — which could come sooner rather than later, as Abdullah’s 90 years is as much an outlier there as anywhere — they’ll move on to grandsons.
Say what you will about pure father-to-son succession planning, but at least the path is clear, which presumably preserves some perceived legitimacy in the ruled population. The ever-increasing tribe of Saud doesn’t enjoy that clear-cut path, and the worry is that once they’re out of sons of Saud, they — and the region — may be in for a bumpy ride. Recall it’s been Fahd and Abdullah that have kept Saudi Arabia together and pushed, however incrementally, for greater western engagement and tiny bits of progress for women. The royal family is the enemy of the rabid fundamentalist brands of Islam apparently on sale throughout the region, but they rule a population shot through with those same strains. It’s a delicate balance. The possible absence of even a flawed but legitimate monarch there is probably bad news for moderates in the region and globally, and good news for fundies.
bing bong boo
In the 90s, Dilbert was still relatively novel, and was pretty often VERY on-point, as in this strip from almost 20 years ago:
As with most of Adams’ work, this one is predicated on the self-evidently ridiculous behavior of management, and the ability of the technical employees to see the failure immediately. Closely tied to this is the feeling we nearly always get from this kind of comedy: that’s pretty funny, but nobody would actually DO that. I mean, it’s stupid.
Well, yeah. About that. Bug bounties absolutely WERE a thing, but they’re positively benign compared to what the FBI has been doing for nearly 15 years. In the era of the War on Terror, it became necessary for Federal law enforcement to show success against terror plots. That terrorism in the US is fantastically rare isn’t an excuse, apparently, for not stopping terror plots.
So what does the FBI do? They go out and write themselves a minivan. A huge percentage of the “plots” they’ve crowed about stopping since 9/11 are plots that were set up by the Feds themselves as pseudo-sting operations. They’d target ineffectual loners and radicals, and then create a situation for them to get carried away and join other “radicals” — typically undercover officers — in an ambitious plot, only to find at the last minute that the plot never existed, but that they were nevertheless guilty of numerous felonies.
But the real winner is the FBI, who gets to trumpet their “success” here and use it to justify more power grabs and more funding. The 20-year-old would-be terrorist may be going to prison behind this, but the REAL losers are all of us, because eventually we’ll have to deal with the metastasizing cancer of overreaching, roll-your-own-crime law enforcement coupled with pols like Boehner using synthetic plots to justify additional government power.
But, hey, my guess is that entrapping basement-dwelling 20-year-olds is a lot easier than catching actual bad guys.
In a new settlement with Penn State, the NCAA announced that they have restored the bulk of Joe Paterno’s wins formerly vacated as part of punishment for covering up Sandusky’s child rape hobby. He regains his position, officially, as the winningest coach ever in college football, and I think we can all agree that’s
justice exactly what we should expect from an organization as venal and corrupt as the NCAA.
That’s it. Fuck football. it’s a goddamn cancer.
Some people are so amazingly dumb it’s astonishing they don’t drown in the bathtub.
Apparently, this includes both this absurd QVC host and designer Isaac Mizrahi. Jesus.
John Hodgman told me to read this.
Well, not directly. But he trumpeted its appeal from his blog, which I read, and so it made it onto my list. Shopping for Christmas presents last month, I slipped a copy into my pile as I’ve recently acquired rather more free time. (Ha, ha.) I read it over the last few days.
It’s solid work. It’s technically Darnielle‘s first novel — he’s mostly famous for being the principal behind the band Mountain Goats — but it turns out his 33 ⅓ book about Black Sabbath’s Master of Reality is rather more than a critical appraisal of the record:
Mr. Darnielle’s publisher is pitching “Wolf in White Van” (the title is a reference to some spooky song lyrics) as a debut novel. But there’s a case to made — I’m willing to make it — that his Black Sabbath book is Mr. Darnielle’s real first novel.
“Master of Reality” is no straightforward critical assessment of Black Sabbath’s album, a sludgy doom-rock classic. It’s fiction that peels thrillingly off into music writing.
The book is written from the point of view of a teenage boy in a mental hospital who explains why Black Sabbath and its lead singer, Ozzy Osbourne, meant so much to isolated kids like himself. It’s about how rock music can express not only liberating joy but, conversely and perhaps more importantly, also speak to bottomless misery and pain.
And then, here we are with Wolf, which is also centered on an obsessed, nerdy, isolated teenage protagonist of a certain type. Heavy metal, fantasy literature and games, and social isolation define Sean, at least until they’re joined by the disfiguring accident that cements his isolation and forms the rest of the skeleton on which the book rests.
Wolf in White Van was nominated for the National Book Award, and it should have been. It’s an intense and powerful book, and (I suspect) a personal one for Darnielle. He clearly didn’t suffer the accident that makes Sean a shut-in, but no amount of research could connect a writer so deeply a life like Sean’s — distant or abusive parents, social isolation, and exacerbating the isolation with unconventional interests like fantasy books, heavy metal, and gaming. The Times notes that Darnielle has written before about his abusive stepfather, and no one writes a 33 ⅓ book about a record they don’t love. Darnielle is clearly of a certain tribe (as am I), and his book is an honest story even if it isn’t wholly his. But that’s what fiction is, right?
Every now and then, I get drawn into a “classic” of the SF genre, and get roundly disappointed. This is one of those times.
In SF, there are TONS of people who read nothing else, it seems, and a goodly chunk of the SF world seems to value very different things than I do when it comes to literature.
I want decently drawn characters, prose that doesn’t clang, an author who understands that telling is not showing, and a story that moves along without getting bogged down in side issues.
In SF, it seems like all these things are subordinate to the cleverness of the idea or ideas the author includes in the yarn. Now, SF is very different from conventional stories because of this fantastic element, but I’ll go ahead and say out loud that the fantastic element isn’t enough to stand on its own, and authors depend on them at their peril.
Of course, as established above, I appear to be alone in this, because A Fire Upon The Deep is widely heralded as a brilliant book. It won the Hugo in 1993, even. So there’s that.
The story here is really pretty thin, and depends entirely on you being sufficiently entertained by a few plot coupons:
The Tines are neat, I must admit: the race is made up of smallish fairly intelligent doglike quadrupeds, but there within the race individual animals are not considered entities. Instead, small packs — 3 to 8 — combine to become intelligent, named individuals. There are strengths and weaknesses to this approach, and to the various sizes of packs. Vinge has given lots of thought to this, which is to his credit, but he did so at the expense of telling an interesting story.
I’ve seen this happen in workshop stories. People fall in love with a plot idea or trope or sequence, and can’t let it go so they beat the horse to death. Vinge does this constantly. The book drags and drags as he explains in painful detail about how a pack race would work, or how a synthetic human feels, or how the Zones affect commerce and history. The issue here isn’t JUST too much backstory (though that’s part of it); the bigger sin is that he just TELLS us these things instead of working their implications into the story organically.
Compare Iain Banks’ Culture stories, for example. Banks has created world no less foreign and amazing than the Zones galaxy, but he’s a deft enough writer that you never feel like you’re getting a braindump from Basil Exposition. I’ve left Banks behind for other reasons, but whatever else turned me off about his books at least the man understood how to construct a good story that also included amazing and fantastic elements.
This is pretty amazing, but there’s an absolute OH SNAP moment here that makes it even more delicious:
More than halfway through the morning’s arguments, an exasperated Justin Matheny, the assistant attorney general in Mississippi charged with defending the state’s ban, tried to change his tune during his rebuttal arguments.
When it became clear that the three-judge panel was leaning against upholding the bans, Matheny acknowledged that the “trajectory” for marriage rights for same-sex couples is “undeniable” — but added his new argument: “it’s not there yet.”
Judge Patrick Higginbotham, born in Alabama almost eight decades ago and appointed to the appeals court by President Reagan more than three decades ago, spoke up. And though the older judge was hard to hear at times, he spoke loudly and clearly when he responded to Matheny: “Those words, ‘Will Mississippi change its mind?’ have resonated in these halls before.”
The guy behind LiarTownUSA is just a really wonderful sort of crazy.
A sound editor who worked on the Wire did an AMA over at Reddit; Kottke has highlights but this is my favorite:
McNulty (Dom West) came in often and was awesome, as well. His accent showed most often when the character was drunk or angry. Oddly, the name “Stringer Bell” tripped him up a lot. “Stringa” and then a very over-enunciated end to “Bell-eh.” Also, the words “fuck” and “cunt” came out “feck” and “cahnt” and the only way to break him of it was to stand right in front of him (so he could watch the mouth shape) and say the word over and over again. So a Dom West ADR session often went like this:
Me (with Dom staring at my mouth): Cunt. Cunt. Cunt.
Dom: Cahnt. Shit, do it again, please.
Me: Cunt. Cunt. Cunt.
Dom: Cunt. Cunt. OK, let’s record…
(three beeps, the line starts and):
Dom: …cahnt. Feck! Say it again.
The new Health app (iOS 8 only) contains a feature that will allow your phone to share medical data with first responders in the event of an accident. It’s not some high-tech Bluetooth thingy; it’s just as simple as filling in a few fields (emergency contacts, allergies, medical conditions, etc.) and flipping the bit to turn it on.
Once it’s set, the data can be accessed from your phone’s lock screen by pressing Emergency and then Medical ID.
I dunno if I’ll bother with any of the rest of the Health features, but this is a nice addition.
As a consequence of my injury back before Thanksgiving, Mrs Heathen and I spent a little time between then and Chrismas trying to keep me on the first floor of Heathen World HQ (and plan we’ve subsequently abandoned, because NO). During our evenings there, we were limited in televised entertainment, as we remain (apparently) the last remaining single television home in Christendom.
This limited us to things would could watch for free on NetFlix or Hulu, or on a pay-per-episode basis via iTunes. I don’t remember where I got the tip, but somehow I became aware of a show from the BBC, currently available on NetFlix, called The Fall. It stars Gillian Anderson (who apparently keeps a portrait in her attic) as an investigator in Belfast who in relatively short order finds herself pursuing a serial killer.
(Unlike lots of transatlantic casting, this works, largely because Anderson’s accent is spot on. The reason, apparently, is that she lived in the UK until she was 11, and can code-switch from American to British on the fly. Neat trick.)
Anyway, the first season is there, and you should watch it — and soon, so that you’ll be ready to enjoy season 2 when it arrives on Netflix on January 16.
Wired has a nice piece up about the show which you may enjoy; it’s spoiler-free, mostly (a last-episode plot detail drops late in the piece, but it’s not a major thing).
Yeah, well, I’m behind:
I finished the Gibson on the 11th, and just finished another book yesterday — but the timing suggests a 27th book for 2014, since I didn’t buy yesterday’s book until the 21st. However, I’ll be damned if I can tell you what it was. Clearly, it was memorable.
Bono is apparently more crap at riding a bike than I am:
On the day of my 50th birthday I received an injury because I was over indulging in exercise boxing and cycling, which was itself an overcompensation for overindulging on alcohol coming up to the big birthday. I promised myself I would be more mindful of my limits, but just four years on, it happened again – a massive injury I can’t blame on anyone but myself, mainly because I blanked out on impact and have no memory of how I ended up in New York Presbyterian with my humerus bone sticking through my leather jacket. Very punk rock as injuries go.
Recovery has been more difficult than I thought… As I write this, it is not clear that I will ever play guitar again. The band have reminded me that neither they nor Western civilization are depending on this.
The whole thing is on an alphabet riff; scroll down for X for the inevitable X-ray of his repaired elbow, which looks even scarier than my repaired femur.
This is absurdly spot on, and you should read it. You don’t need to have read the book first; it includes all the context you need.
How To Tell If You’re in a MFA Workshop Story is just a leetle close to my academic roots. It is, of course, hilarious.
Okkerville River’s Will Sheff is absolutely in love with an obscure German TV concert tape of Dr Hook & the Medicine Show (conveniently also on YouTube; he embeds bits to illustrate his points) and has written a truly remarkable analysis of it that is absolutely worth your time even if you’re only vaguely aware of who this band was. It is in particular compelling in its insight into the musical and interpersonal dynamics going on in a live performance, which I find fascinating.
When you’re done, check the comments. It turns out two members of the band show up there and weigh in, which is awesome (frontman Dennis Loccorriere, and guitarist Rik Elswit).
The title is a takedown in and of itself, so I’ll just use it:
Mrs Heathen and I listened to Koenig’s podcast on our holiday drive — half on the way over, half on the way back — and while I’ll admit that I wasn’t quite as taken with it as most seem to have been, I’m also not as down on it as this writer (Diana Moskovitz) even though she makes absolutely valid points. It meanders. It feels padded, like a Peter Jackson movie. There is no real conclusion, no a-ha, no moment of dramatic Perry Mason-ism wherein the “real” killer is identified and Adnan set free. (Spoiler, I guess.)
There’s value in telling that story, of coures. Real life isn’t neat, and people go to prison on flimsy evidence every day, so that these things are true doesn’t damn the entire enterprise, but it does mean Koenig, et. al., had to do something ELSE with the time to justify it. And I’m not 100% sure they did.
Anyway, if you’re familiar, click through for Moskovitz’s take.
(I am, at this point, willing to stipulate that the holiday-themed parody of Serial mounted by SNL just before Christmas may be sufficient to justify the entire thing, however.)
Steve Earle’s video for Telephone Road is a delight all on its own, though. The monkey’s just a bonus.
Their very public tantrums are not having the desired effect. Two NYTimes editorials pull ZERO punches:
When [de Blasio] spoke at a police graduation ceremony at Madison Square Garden on Monday, some in the crowd booed and heckled him. This followed the mass back-turning by scores of officers when the mayor spoke on Saturday at the funeral of Officer Rafael Ramos; the virtual back-turning the day before by an airplane-towed banner (“Our backs have turned to you”), and the original spiteful gesture by officers on the night Mr. de Blasio visited the hospital where Officer Ramos and his partner, Wenjian Liu, lay dead.
Mr. de Blasio isn’t going to say it, but somebody has to: With these acts of passive-aggressive contempt and self-pity, many New York police officers, led by their union, are squandering the department’s credibility, defacing its reputation, shredding its hard-earned respect. They have taken the most grave and solemn of civic moments — a funeral of a fallen colleague — and hijacked it for their own petty look-at-us gesture.
Many members of the New York Police Department are furious at Mayor Bill de Blasio and, by extension, the city that elected him. They have expressed this anger with a solidarity tantrum, repeatedly turning their backs to show their collective contempt. But now they seem to have taken their bitterness to a new and dangerous level — by walking off the job.
The New York Post on Tuesday reported, and city officials confirmed, that officers are essentially abandoning enforcement of low-level offenses. According to data The Post cited for the week starting Dec. 22 — two days after two officers were shot and killed on a Brooklyn street — traffic citations had fallen by 94 percent over the same period last year, summonses for offenses like public drinking and urination were down 94 percent, parking violations were down 92 percent, and drug arrests by the Organized Crime Control Bureau were down 84 percent.
The data cover only a week, and the reasons for the plunge are not entirely clear. But it is so steep and sudden as to suggest a dangerous, deplorable escalation of the police confrontation with the de Blasio administration. Even considering the heightened tensions surrounding the officers’ deaths and pending labor negotiations — the Patrolmen’s Benevolent Association has no contract, and its leader, Patrick Lynch, has been the most strident in attacking Mr. de Blasio, calling him a bloody accomplice to the officers’ murder — this action is repugnant and inexcusable. It amounts to a public act of extortion by the police.
And why are they doing this?
Let’s review the actions that Mr. de Blasio’s harshest critics say have driven the police to such extremes.
He campaigned on ending the unconstitutional use of “stop-and-frisk” tactics, which victimized hundreds of thousands of innocent young black and Latino men.
He called for creating an inspector general for the department and ending racial profiling.
After Eric Garner, an unarmed black man, was killed by a swarm of cops on Staten Island, he convened a meeting with the police commissioner, William Bratton, and the Rev. Al Sharpton, giving Mr. Sharpton greater prominence than police defenders thought he should have had because Mr. Sharpton is a firebrand with an unsavory past.
He said after the Garner killing that he had told his biracial son, Dante, to “take special care” in encounters with the police.
He generally condoned the peaceful protests for police reform — while condemning those who incited or committed violence — and cited a tagline of the movement: “Black lives matter.”
The Times ends with some clear advice for Big Apple cops:
[W]hat New Yorkers expect of the Police Department is simple:
Don’t violate the Constitution.
Don’t kill unarmed people.
To that we can add:
- Do your jobs. The police are sworn public servants, and refusing to work violates their oath to serve and protect.
I mean, seriously. The mayor opines that it troubles him that he had to explain to his biracial, presents-as-black son how to survive police encounters, and they go completely nuts. Their union is led by some sort of complete goon. And now they’re assaulting people dancing in the street.
Patton Oswalt’s mashup of Rudolph and Apocalypse Now really must be seen to be believed. It’s only about 4.5 minutes long.
There I was … at MADtv, struggling to explain to a network suit what Apocalypse Now was, and how it could be funny if done through the prism of a Rankin Bass special.*
They eventually shot my idea—a year after I left the show. Well, I really didn’t leave. They didn’t have me back. And with good fucking reason. I was a judgmental, sour asshole of a writer. Quick with a criticism and never with a fix. A comedy and film snob who rolled his eyes half the time and turned in typo-filled scripts. But they shot it. And put my name in the credits. Misspelled. Revenge? They were entitled. The sketch was called “A Pack of Gifts Now,” and it was lovingly animated by a stop-motion genius named Corky Quakenbush. An elf [actually a reindeer—Editor] is sent by toy makers to the North Pole to terminate “the Kringle” and his cultlike operation of toy makers “with extreme prejudice.” And, ironically enough, one of the producers I clashed with, Fax Bahr—who codirected the documentary Hearts of Darkness, about the making of … Apocalypse Now—shepherded the sketch through, with all of my visual jokes and references intact, and plenty of his own, which made the sketch even better. Even got a mention in TV Guide. Thanks, Fax. Sorry I was such a dick. Part of being in your twenties is not knowing an ally when you see one.
Seriously, do not miss this. Hard to believe it was on MadTV.
NASA just emailed a wrench to space.
Really, Judge Miller? Christ:
I hope this guys sues the everliving SHIT out of the city, the department, and the DA. It’s cold comfort, since even an enormous settlement won’t affect the cops, the prosecutor, or the judge in the slightest — as all three live in a world free of accountability — but it’s all we can hope for.
That category, wherein I read nearly everything they write? Yeah, Scalzi’s in there. Just read it, for Christ’s sake. It’s a near-future murder mystery. What’s not to like?
Look, even if it’s not as much of a complete and perfect delight as The Gone Away World, how can you NOT love Harkaway’s language?
“If you just go out in the river and stand there long enough, you end up with a fish in your pangs and everyone thinks you’re a genius.”
Indeed. And then, there’s this:
“The last d ays are no less important than the others juyst because they are near to the end. Should we stop living today jsut because death is no longer a stranger?”
Tigerman is more or less straight fiction, and in that is a departure form the more SF/fantasy romp that was GAW, but it’s no less worth your time. The central story here is of a British functionary assigned to be the last official overseeing UK interests on a tiny (fictional) island that is, unfortunately, completely doomed. Things are actively falling apart, and the events of the story take place against a very real backdrop of impending doom, if not for the characters then for the island itself (hence that second quote).
Again, I’m running out of year here, or I’d say more, but the bottom line is that Harkaway is fast becoming the sort of writer I want to read all of.
Remember last year, when I read The Big Sleep? Yeah, more of the same — brilliant work, now seen as cliche, that was being invented at the time.
I’m terribly far behind on these posts, so the next few will be given the short shrift, but trust me when I say sampling the noir classics is worth your time.
Since 1986, David Letterman has celebrated Christmas on his programs by inviting Darlene Love to sing “Christmas (Baby Please Come Home)” on his last pre-Christmas show. It’s a wonderful thing that’s grown in size and scope and power over these 28 or so years.
Letterman, of course, is retiring next year; tonight will be his final Christmas show. Love will deliver her signature holiday tune, but with Letterman’s retirement she’s announced that she will be retiring the song from television out of respect.
Tune in. It’s sure to be lovely.
(More on the series at Mefi.)
Some folks in New York have figured out how to 3-D print an actual dress. Not “print a bunch of pieces and then assemble them,” mind you, which is what I thought this would be when I first watched the video; I mean they created the design for this dress — comprised of thousands of triangles and other shapes linked together — that could be printed all at once, and worn immediately out of the printer.
This is seriously some William Gibson shit right here. Check it out.
This is a good place to start, if you’re curious.
Go read this:
Grand juries were designed to be a check on prosecutors and law enforcement. Instead, they’ve become a corrupt shield to protect those with power and another sword to strike down those without. And it’s now all too obviously past time the system was overhauled to fix that.
Before Wednesday’s shameful decision by a New York grand jury to refuse to indict the police officer who choked to death an unarmed and unresisting Eric Garner, one statistic made clear just how much our justice system has failed:
If you are an ordinary citizen being investigated for a crime by an American grand jury, there is a 99.993% chance you’ll be indicted. Yet if you’re a police officer, that chance falls to effectively nil.
The short answer is because the prosecutors are in bed with, and are part of the same problem as, the cops. It’s not in their interest to prosecute police, so they don’t do it unless there’s absolutely no alternative. This has to change.
More on the subject over at The Nation, which includes this horrifying gem:
First, the big picture. Last year, the FBI tallied 461 “justifiable homicides” committed by law enforcement—justifiable because the Bureau assumes so, and the nation’s courts have not found otherwise. This is the highest number in two decades, even as the nation’s overall homicide rate continues to drop.
Oh, and then there’s this:
Are there any effective civilian oversight systems at any major police department in the US? Nobody I interviewed for this article could name one.
Read this and tell me if you don’t come away with the same conclusion.
Yesterday, some St. Louis Rams players entered the field pre-game making the “hands-up, don’t-shoot” gesture in solidarity with the protesters.
In a shocking display of maturity and level-headedness, a St. Louis-area police organization has gone completely apoplectic over the protest, and is insisting that the players be punished.
SLPA Executive Director Jeff Roorda, a controversial figure in the Ferguson drama, said “it is unthinkable that hometown athletes would so publicly perpetuate a narrative that has been disproven over-and-over again” and called on the team and league to discipline the players.
To call Roorda’s characterization misleading is to understate things by a couple orders of magnitude.
Oh, and it’s worth pointing out that this Roorda asshole is in fact a disgraced former officer, and spends his time today working against accountability measures like bodycams.
UPDATE: The NFL will be taking no action against the players. Suck it, St Louis cops!
What’s more awesome: that a book called Crabs: The Human Sacrifice exist, or that it’s part of a series involving the plots and villainy of sentient crabs?
As noted by one of the Tumblr commenters, I really, really want to know what sort of childhood beach trauma lies at the root of the author’s crab fear.
The House has passed a bill that prohibits scientists from advising the EPA.
Given how thoroughly Lucas destroyed Star Wars with the absurdly bad prequels PLUS the fact that Abrams is objectively terrible when it comes to continuity, I’m shocked at how many people are excited about the new teaser trailer. There’s basically zero chance this film isn’t garbage.
Glad you asked. Go read this and be enlightened. It includes a minimum of background about how credit cards are processed today, and why Apple Pay is different, but the real money shot is this:
Credit card security falls down because every merchant gets a copy of your credit card number, but virtually none of them really safeguard that information, so you end up with situations like the Target breach. With Apple Pay, the merchant never has your credit card number at all.
Now, some merchants are up in arms about Apple Pay because the card number isn’t the only info they don’t get — in fact, they get just about nothing, because Apple Pay doesn’t have to leak any of that demographic information at point of sale. This is a feature, not a bug, but some merchants (Rite Aid, for example) don’t see it this way because they want to use the demo data to market to you, or to sell to advertisers as an alternate revenue stream, or whatever. That’s not your problem, though.
For a consumer, Apple Pay is a slam dunk good idea. Embrace it if you can, or whenever you get a device that supports it.
At the holidays, it’s nice to see businesses stepping up for the less fortunate — say, having a canned food drive, for example.
What’s less nice is when it turns out that the business in question is organizing a food drive for their own employees because they pay them so little that it’s necessary.
JWZ details his work on a particularly excellent screen saver module; it draws pictures of “gear spheres” like this:
The math involved is, apparently, delightful.